[PDF.90th] The Last 'Darky': Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora (a John Hope Franklin Center Book)
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The Last 'Darky': Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora (a John Hope Franklin Center Book)
Louis Chude-Sokei
[PDF.ce48] The Last 'Darky': Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora (a John Hope Franklin Center Book)
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| #1106033 in Books | Duke University Press Books | 2006-01-16 | 2006-01-16 | Original language:English | PDF # 1 | 9.25 x.72 x6.00l,.93 | File type: PDF | 288 pages | ||18 of 37 people found the following review helpful.| Broadway Pioneer Captured By Academics|By Chris Moore|If any performer deserves an authoritative biography, it is Bert Williams, who with his partner George Walker, broke the color barrier on Broadway. After illness forced Walker into retirement just after reaching stardom, Williams joined the Ziegfeld Follies, where he worked with many show business legends, among them Eddi||
“Louis Chude-Sokei’s innovative study not only brings overdue attention to Bert Williams. It deepens our understanding of black modernity and redirects the study of minstrelsy as well. A rich, wide-ranging book, it is filled with resonant ins
The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he perf...
You easily download any file type for your device.The Last 'Darky': Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora (a John Hope Franklin Center Book) | Louis Chude-Sokei. A good, fresh read, highly recommended.
